The value of perseverance in writing and creating: A personal account

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Recently I went from having no publishing offers to having to decide between two – I know, the irony! This is for a novel I wrote in two very different versions, and after deciding that the first one was best, going on to rewrite it many times.

My writing pathway to finding a publisher

My process over more than ten years included the following steps:

  • Redrafting my manuscript over again
  • Engaging editors for the first and part of the second-to-last major redrafts
  • Paying a mentor (a costly and negative experience)
  • Reading countless writing books and doing my best to apply the learning
  • Undertaking many writing-related courses in person and online, including on poetry, book publishing and creativity
  • Submitting my manuscript, garnering interest but being rejected many times
  • Nearly giving up a few times, before picking myself up off the floor and starting over
  • Taking on the feedback for two advanced drafts from my long-suffering writing group.

It’s often said that a writer’s first two novels are their learner books and that the third is publishable. Alternatively, people talk about writers needing to practice their craft for ten years before reaching a publishable standard. For me, redrafting the same story in various forms was how I progressed my craft. I didn’t want to let go of my story, focusing instead on improving it ad nauseam. And so ten years passed by…

Until finally, it paid off. (Although I’m well aware that having found a publisher, I haven’t achieved publishing success yet. But that’s a whole other journey.)

It was nothing! (Lies)

It would be easy to look back and say that it was worth it, or even that it was fun or easy. Ten years – nothing! But the truth is that like all writing, it was both wondrous and torturous, easy and impossible. For years there was rejection after rejection, no promise of publication (ever!) and no guarantee of any return for my hours of toil, the income I forewent or the money I spent on my book.

And yet writing and creating was and remains the only thing that makes me feel professionally fulfilled. I actually become restless and irritable if I don’t write creatively.

Key things I did to find a publisher

After I announced the two offers on a Facebook writing group, a couple of writing colleagues contacted me to ask how I found a publisher? Some had achieved agent interest, which after a time had waned.

While I’m no expert, I answered them because writers need the camaraderie of others to help pick them up when they’re feeling uncertain. These are the key things I told them. They’re simple and probably obvious, but nonetheless powerful, and sometimes we need to remind ourselves:

  • Always be open to improving your craft and never be complacent or arrogant – Too often authors become attached to their work. Get some distance and reevaulate after a break. Kill your darlings etc.
  • Believe in your story (or let it go and move on) – If you don’t, who else will? Believe in it to your core
  • Believe in your abilities – Again, if you don’t, no one else will. This doesn’t mean you can’t learn new things. Writing is an art, but it’s technical and involves a lot of craft
  • Find your publisher fit, only going where you’re wanted – Whether that’s a large publisher, an independent one, or a small one. What’s their speciality, do they love your kind of work and genre, what are their values? Alignment is key. Publishing is business but it’s also a relationship
  • Get philosophical (or zen, or something similar) – While I’d got to a point where I believed – paradoxically and blindly – that I’d find a publisher, I honestly didn’t care anymore. I knew in my gut that my story was good and that was enough, so I sent it out and let go. Me and my story were ready and, amazingly, the world responded
  • Above all, persevere! As Churchill said, never give in. When you’re ready, dust yourself off and continue. Logically, you must to get there, in the end.

Are you ready to be published?

‘There is no greater agony than bearing an untold story inside you.’ Maya Angelou

The state of book publishing (in Australia)

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Publishing in Australia

The novel I’m trying to get published now is an Australian story, with universal themes and appeal of course, but there’s much in the subject matter that Australians will relate to. This means I’m touting it in Australia first before looking elsewhere.

But getting anything new published in Australia can be challenging. It has been for a long time, but with foreign competition, it’s even more difficult.

Some publishing facts (and some opinion too):

  • Big W is reportedly the single biggest book retailer in Australia, so if you don’t write commercial fiction of 70-90,000 words that Big W wants to sell, you may be at a disadvantage
  • The price of books has gone down with overseas competition, putting greater commercial pressure on publishers
  • If you write literary fiction (my novel is literary-commercial crossover) places reserved for new voices are very limited, as in maybe 5 novels per year one publisher claimed. Yes – 5!!
  • Fulfilling publishers’ commercial requirements seems more front of house than ever with increased competition
  • Character and plot rule, so if you’re attempting to push the boundaries and break some rules, your first novel may be considered too risky, but then again maybe not if you’re brilliant
  • All this competition has in my view pushed the Australian mainstream publishing industry towards conservatism. I find a lot of new Australian formulaic and disappointing
  • That said, small, independent publishers are taking risks that are paying off. These are the books I tend to find inspiring. Perhaps this is where the future lies for Australian writers whose work may not satisfy mainstream commercial criteria?
  • The pool of book readers isn’t growing in Australia
  • Bricks and mortar booksellers are the key to sales for debut novels by Australian authors
  • Around a third of trade (commercial) books published in Australia are fiction
  • Print books remain the most popular, with e-book sales decreasing before plateauing
  • How many times have I heard publishers say they’re looking for the next Bryce Courtenay or Andy Griffiths or Fleur McDonald? Interestingly, I’ve only ever once  heard them say they’re looking for the next Patrick White or Geraldine Brooks.

So what can you do to get published?

Should you tailor your fiction to what you think publishers want? Should you cut your text back to fit the word length, make your characters more mainstream, latch on to the latest trend and write in that genre?

Not unless that’s where your passion lies or it will improve your work. Your writing must be the best you can make it, which demands authenticity and tenacity. Writing is testing at the best of times, let alone if you’re not working on something that fires you up, even during the dark times. First and foremost, love what you’re doing.

Don’t compromise, improve your work

Instead focus on making your manuscript the best it can be. Then continue to seek a publisher until you find someone who believes in your work. There are alternative publishing routes you might consider too, which I discuss here.

Publishing is a business, but never forget that writing is an art.