Rules are meant to be broken. Buck the trend of character and plot dominance. Bend language, challenge structure, change points of view, turn narrative on its head: create and be original.

Rules are meant to be broken. Buck the trend of character and plot dominance. Bend language, challenge structure, change points of view, turn narrative on its head: create and be original.


The novel I’m trying to get published now is an Australian story, with universal themes and appeal of course, but there’s much in the subject matter that Australians will relate to. This means I’m touting it in Australia first before looking elsewhere.
But getting anything new published in Australia can be challenging. It has been for a long time, but with foreign competition, it’s even more difficult.
Should you tailor your fiction to what you think publishers want? Should you cut your text back to fit the word length, make your characters more mainstream, latch on to the latest trend and write in that genre?
Not unless that’s where your passion lies or it will improve your work. Your writing must be the best you can make it, which demands authenticity and tenacity. Writing is testing at the best of times, let alone if you’re not working on something that fires you up, even during the dark times. First and foremost, love what you’re doing.
Instead focus on making your manuscript the best it can be. Then continue to seek a publisher until you find someone who believes in your work. There are alternative publishing routes you might consider too, which I discuss here.


I submitted my manuscript to two new publishers this week, dutifully complying with all their requirements before I sent it off as well as checking and rechecking my letter, author bio, synopsis, book comparison, marketing appraisal and so on.
When starting a new project remember two things. First, you learned how to write your last story, not necessarily others. A new story might demand other skills. Second, first drafts are often terrible. Don’t judge yourself. Just get something down and redraft, redraft, redraft…


Is your book cooked when:
I’m coming to the end of my final edit for my MS, unless a publisher tells me otherwise. The problem is, every time I look back I see new ways to improve my book. I believe this is because with every edit, my skills improve. But if I begin yet again, there’s a real risk of getting caught in an endless rewriting loop.
Set your work aside if you can, or seek an outside (objective) opinion to help you determine if your work is sufficiently cooked. If you’re a perfectionist, remember there’s no such thing as perfect because EVERYTHING is subjective.
With my manuscript, it’s definitely near ready to eat, which my writing group has confirmed. I hear the call of another story.

I’ve been a member of my current writing group for 4 1/2 years now. I say current because I tried another couple of groups that didn’t work out. I’ve almost pulled out of this group too, but now I believe that sticking with it is one of the best things I’ve done for my writing.
There are many kinds of writing groups and you’ll need to consider which one suits you best. Are you looking for a group:
I’ve joined the first kind of group through my local writers’ centre because I wanted to improve my manuscript. Members are serious about getting published—and some of us have been. We meet weekly with each person reading out 2k words for which we receive feedback. Many of us find the act of reading out loud a good starting point because we often hear our own mistakes first. People seem to have their strengths and together we make a formidable team even though our genres are diverse, including historical fiction, chick lit, crime and science fiction. One person tends to comment on structure, another grammar and voice, another character development or story line and so on.
There are many options, including:
Trust your judgement. If a group doesn’t feel right, then it’s not for you.
Don’t be afraid to go down the rabbit hole, but always look after yourself there and back.

I found these lines from a poem in a piece written by Cloud Atlas author, David Mitchell, for The Atlantic called ‘How to Write: “Neglect Everything Else”.’ It’s too true, but how often do we forget?


I’ve recently started a small business. I’m also managing the planning process for a house renovation and am undertaking a technical two-year course sandwiched into nine months. To top it off, I’ve set myself a 3-month deadline to finish the final edit of my novel, Gunfire Lullabies, because ENOUGH NOW (time to move on)! In short, I’m extremely busy.
Guess what’s fallen by the wayside these last two months? Was it study or the renovation? No. Was it my novel? Yes! Yet not writing much was causing me stress to the point I was getting physical symptoms. Studies show that when people and animals lose control of their lives, this is the most stressful situation they can be in. I was caught in a vicious cycle of stress making me less productive, which resulted in even less time for my writing.
What to do about this? Make a plan, I thought, even though I’m not good at sticking to them. But writing is extremely important to me so I decided I’d commit. Here are my tips on how to make time to write:
All the best. You CAN do it (if you want to badly enough).